Origins       
The origin of the alphorn is lost in times gone by.Some very ancient tales mention that shepherds in Europe and even as far as Asia used similar instruments, namely a kind of primitive trumpet-like device only playing a few notes.

1555
In Switzerland, you can trace it back to the writings of the Zurich naturalist Conrad Gessner, who described a sort of “litum alpinum” horn, eleven foot long, formed out of two long, rounded, hollowed-out pieces of wood tied one to the other with a piece of wicker. This instrument was used in central Switzerland, in Pilate, in order to herd the livestock.

In actual fact, originally it served as a reminder call to the herd in the evenings up in the mountains. It was also a means of communication to announce news from one valley to another. In a way, it was the precursor to the megaphone. In the mountains and with the wind behind it, the sound can be carried up to 10 kilometres away.  

1805
The first alphorn competition took place at the Unspunnen shepherds’ festival and only two contestants faced each other. The first medal won on this occasion is a testimony to the shape of the horn at the time.

1826
Little by the little the use of this instrument spread further and in 1826, Niklaus von Mülinen, a patrician and “landamann” from Bern, instructed the composer Ferdinand Fürchtegott how to make alphorns and to develop the teaching of this instrument in Grindelwald. According to lithographic images of the time, the horns were straighter and very narrow.

1880
It isn’t until 1880 that the alphorn acquired its actual shape. The museum of Zeihen (Argovie) exhibits an example of one from this era. Over the years, the alphorn has passed through changing trends. At the turn of the century, it had even almost completely disappeared and during the founding of the Federal Yodeller Society (8th May 1910) there was only one alphorn present.

Today
In Switzerland, there are around 4,000 instrumentalists, of which 150 are from the Valais and ten of those from Nendaz.